Videos
Press
“Yazz Ahmed ist eine der spannendsten Persönlichkeiten der quirligen Londoner Jazzszene. In ihren komplexen Suiten kombiniert sie die Traditionen ihres Herkunftslandes Bahrain mit Jazzimprovisationen.” — Qantara
“Rich, powerful, colourful, exciting and highly evocative. Ahmed’s most ambitious and most successful work to date has the feel of a ‘major statement’ about it.” — The Jazz Mann
“Die Trompeterin Yazz Ahmed ist eine wichtige Stimme in der sehr vitalen britischen Jazzszene der Gegenwart.” — Deutschlandfunk
Projects
Quartet
Yazz Ahmed (trumpet, flugelhorn)
Ralph Wyld (vibraphone)
David Manington (double bass)
Martin France (drums)
Duo
Yazz Ahmed (trumpet, flugelhorn)
Ralph Wyld (vibraphone)
Core unit, sub. to change
Selected discography
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Yazz Ahmed is a British-Bahraini trumpet player and composer who seeks to blur the lines between jazz, electronic sound design, bringing together the sounds of her mixed heritage. Her music has been described as ‘psychedelic Arabic jazz, intoxicating and compelling’.
In recent years she has led her various ensembles in concerts around the UK and abroad, including performances in New York, Toronto, Kuwait, Algiers, Berlin, Köln, Paris, Istanbul, Tunis and Amsterdam, and at major festivals such as WOMAD, Molde Jazz, Pori Jazz and Love Supreme. Yazz has also recorded and performed with Radiohead, Lee Scratch Perry, Nile Rodgers, ABC, Swing Out Sister, Joan as Police Woman, Tarek Yamani, Amel Zen and toured the world with These New Puritans. She recently appeared as a guest soloist/composer with Arturo O’Farrill’s Afro Cuban Jazz Orchestra.
In 2015, Tomorrow’s Warriors commissioned Yazz, with support from PRS Women Make Music, to write a suite inspired by courageous and influential women. Polyhymnia was premiered at the Purcell Room by a special all-female ensemble at the WOW! Festival in March 2015. During her year as an LSO Soundhub composer in 2016, Yazz explored writing music for her newly developed quarter-tone flugelhorn, a unique instrument which enables her to get closer to the spiritual nature of the ‘blue notes’ in Arabic music.
2017 saw the release of her second album, La Saboteuse, on Naim Records. The album made a global impact, gaining multiple rave reviews and making many ‘best of 2017’ lists around the world, including Jazz Album of the Year in The Wire magazine and achieving the number 18 spot in Bandcamp’s top 100 albums (all genres). “..this is enchanting, late night music that floats on the liminal space between dreams and reality. And for sheer, unconquered beauty, there are few albums of any genre that reach these heady heights. Ahmed, in diving deep within herself, comes back up for air with a mysterious, wondrous artifact humming in her hands,” (the2010s.net).
In August 2018 Yazz released an EP of remixes from La Saboteuse, featuring collaborations with Hector Plimmer, DJ Khalab and Blacksea Não Maya, which has brought her music to a new audience. Alongside seven other composers, Yazz was commissioned by the Ligeti Quartet, to write music inspired by modern astronomy, each focusing on a different planet in the solar system. The Planets 2018, created especially for planetariums, features Yazz’s composition Saturn and was performed around the UK during October 2018.
In June 2019, Yazz will reveal the coda to La Saboteuse: A Shoal Of Souls. Composed as a reaction to Sophie Bass’s striking artwork for La Saboteuse, the piece is dedicated to the thousands of lives lost by those attempting to cross the Mediterranean Sea in search of a better future. Yazz’s highly anticipated third album, Polyhymnia, was released October 2019 on Ropeadope Records.