On the three studio albums flugelhorn player Yazz Ahmed’s released, there’s a very clear unfolding of singular ideas—an expansion of color and intent.
“I think I’m on the sort of outskirts, really,” Ahmed said about where she fits into the London jazz scene, a loose cohort of players who have come to impact the global understanding of how identity interacts with genre. “Shabakah [Hutchings] and I, we went to music college together, so that’s how I know him—I’ve known him for a very long time. But there are connections, even though my music, it’s not sonically similar to the people who are grabbing the headlines.”
